MUSICAL INSTRUMENTS OF GOR
BRONZE HORN"Ivar Forkbeard, at the prow, lifted a great, curved bronze horn and blew a blast." MARAUDERS OF GOR, Pg. 80. A large copper covered drum."The ringing of the copper covered drum struck with the fur-wrapped wooden mallets suddenly rang out behind us." GUARDSMAN OF GOR, Pg. 36 "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR, Pgs 153-154 Musical instrument consisting of a flat, oblong box, having 8 strings, it is held across the lap when sitting cross-legged and is played with a horn pick; similar to a Japaniese koto."One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I might mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice." NOMADS OF GOR, Pgs. 153-154 "'Czehar music,' she said, 'and, later, the recitation of poetry by Milo, the famed actor, to the music of the double flute.'" MAGICIANS OF GOR, Pg. 156 A large drum with wood frame and tabuk hide, normally beaten with a stick used by the Red Hunters.
"The drum of the red hunters is large and heavy." BEASTS OF GOR, Pg. 262. "There was a sudden bright clash of the finger cymbals, and, to the music of the nearby tent, Talena, daughter of the Ubar of Ar, began to dance for me." OUTLAW OF GOR, Pg. 134. "The three flutists were polishing their instruments and talking together; it was shop talk I gathered, because one or the other would stop to illustrate some remark by a passage on his flute, and then one of the others would attempt to correct or improve on what he had done; occasionally their discussion grew heated." NOMADS OF GOR, Pgs. 153-154 "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR,Pgs 153-154. Hollowed out herlit bird bones used as whistles.
"You could not dare to blow upon the Herlit-bone whistle." BLOOD BROTHERS OF GOR, Pg. 276. A six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked."One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I might mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice." NOMADS OF GOR, Pgs. 153-154 "They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments." NOMADS OF GOR, Pgs 153-154. "Analogues to the major vowel sounds of the inland speech are found in certain of the drum notes, which differ, depending on where the hollowed, grooved log, is struck. The rhythm of the drum message, of course, is the rhythm of the inland speech." EXPLORERS OF GOR, Pg. 219. "'You have free woman in mind,' she asked, 'perhaps lute players.'" MAGICIANS OF GOR, Pg. 156. "'It was I,' she continued, 'who apprehended and challenged him, I who saw the lyre beneath his grey robes and knew him for a singer.'" OUTLAW OF GOR, Pg. 105. "'Medicine drums,' said Hci. BLOOD BROTHERS OF GOR, Pg. 432. "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR, Pgs 153-154. "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR, Pgs 153-154. "These rattles were then joined by the fifing of whistles, shrill and high, formed from the wing bones of the taloned Herlit." BLOOD BROTHERS OF GOR, Pg. 40. "There was an accompaniment by sistrums." MARAUDERS OF GOR, Pg. 33. "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR, Pgs 153-154. "I heard a swirl from a flute, the simple flute, not the double flute, and the quick pounding of a small tabor, these instruments now in the hands of Philebus’ assistants." VAGABONDS OF GOR, Pg. 30. "There was also a second drummer, also with a kaska, and another fellow, a younger one, who sat very seriously before what appeared to me to be a pile of objects; among them was a notched stick, played by sliding a polished tem-wood stick across its surface; cymbals of various sorts; what was obviously a tambourine; and several other instruments of a percussion variety, bits of metal on wires, gourds filled with pebbles, slave bells mounted on hand rings, and such." NOMADS OF GOR, Pg. 154. "I looked up, hearing tarn drums in the sky." FIGHTING SLAVE OF GOR, Pg. 178. "I could hear, like the throbbing of a heart, the beating of the two tharlarion drums that set the cadence of the march." NOMADS OF GOR, Pg. 113. "Outside, in the canal traffic, I heard a drum, cymbals and trumpets, and a man shouting. He was proclaiming the excellencies of some theatrical troupe, such as the cleverness of its clowns and the beauty of its actresses, probably slaves." PLAYERS OF GOR, Pgs. 9. "A skirl on a flute and a sudden pounding on twin tabors, small, hand drums, called my attention to the square of sand at the side of which sat the musicians." EXPLORERS OF GOR, Pg. 133. "I glanced within, for I heard from within the clash of slave bells and the bright sound of zills, or finger cymbals." EXPLORERS OF GOR, Pg. 21.
MONEY"Hup wildly thrust a small, stubby, knobby hand into his pouch and hurled a coin, a copper tarn disk, to Kuurus who caught it..." ASSASSIN, Pg. 13. "It seems there are usually eight tarsk bits in a copper tarsk, and that these are the result of cutting a circular coin in half, and then the halves in half, and then each of these halves in half." MAGICIANS OF GOR, Pg. 469. "For example, a 'double tarn' is twice the weight of a 'tarn'." MAGICIANS OF GOR, Pg. 469. TARNSMAN OF GOR, Pg. 191. OUTLAW OF GOR, Pg. 193. MAGICIANS OF GOR, Pg. 469. ~COIN COMPARISONeight Tarsk Bits in a Copper Tarsk
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